Soubor:Sir Peter Paul Rubens - Constantius appoints Constantine as his successor - Google Art Project.jpg
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Popis
Peter Paul Rubens: Constantius appoints Constantine as his successor
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| Tvůrce |
Details on Google Art Project |
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| Název |
angličtina:
Constantius appoints Constantine as his successor |
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| Druh objektu | malba | |||||||||||||||||||||||||||
| Datum | 1622 | |||||||||||||||||||||||||||
| Technika | olej na dřevě | |||||||||||||||||||||||||||
| Rozměry | výška: 615 mm; šířka: 534 mm | |||||||||||||||||||||||||||
| Sbírka |
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| Současné umístění |
Level Ground level (Details of level on Google Art Project) room 15th–19th c European art (Details of room on Google Art Project) |
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| Inventární číslo |
483.1993 |
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| Historie |
Flanders James Oswald Fairfax AC (Australia, b.1933), 30 Jul 1981-31 Aug 1993, Bowral/New South Wales/Australia, Gift of James Fairfax 1993. Purchased by James Fairfax from Agnew's 1981.Agnew's, London (England, estab. 1817), Dec 1979-30 Jul 1981, London/England, Sold to James Fairfax, 30 July 1981. Agnew's stock no. 43546. H.E.M. Benn (England), post 17 Feb 1940-Dec 1979, Ilkley/Haslemere/England, Purchased by Benn from Buttery 1940, sold to Agnew's, December 1979 Horace Buttery, London (England), 17 Feb 1940, London/England, [dealer] Agnew's, London (England, estab. 1817), 04 Jun 1937-17 Feb 1940, London/England, Purchased at Christie London 4 June 1937, lot no. 90, jointly owned by Agnew's with Buttery and Clark. Agnew's 1/3 share was sold to Buttery on 17 February 1940, when presumably Buttery had a buyer. Francis Pelham-Clinton-Hope, 8th Duke of Newcastle, 15th Earl of Lincoln (England, b.1866, d.1941), 1928-04 Jun 1937, England, by descent, sold Christie London, 4 June 1937, lot no. 90, purchased by Agnew's jointly with Buttery and Clark, £280 Henry Pelham-Clinton, 7th Duke of Newcastle, 14th Earl of Lincoln (England, b.1864, d.1928), pre 1928, England Stamp Brooksbank (England), pre 31 May 1834, England, presumably by descent, Governor of the Bank of England 1741-43, his (and others') sale, Stanley, London 31 May 1834, lot no. 89 'The interview between Constantine and his son Crispus'. Henry Brooksbank (England), 1828, England, by 1828, lent to the 1828 British Institution exhibition Thomas Hammersley (England, b.1747, d.1812), 1792-1812?, London/England, Thomas Hammersley, his and others' (anon.) sale, Christie's London 6-7 March 1801, lot no. 76 'Constantine receiving the globe and cross', bought in, 67gn. Hammersley and others' (anon.) sale, Coxe, London, 11 June 1808, lot no. 9 'An allegorical representation of Constantine receiving under the influence of the cross, authority over the Earth and Ocean', bought in, 95gn. Thomas Moore Slade (England), 1792, England, Purchased by Thomas Moore Slade in association with the 7th Baron Kinnaird (1754-1805), W. Morland and Thomas Hammersley. Philippe-Joseph ('Egalité'), duc d'Orléans (France, b.1747, d.1793), pre 1792, France, by descent, sold to Thomas Moore Slade 1792 Philippe, duc d'Orléans (France, b.1674, d.1723), pre 1723, France French royal tapestry works of Saint-Marcel (France), post 1622, France, With the rest of the set: painted for the French royal tapestry works of Saint-Marcel, 1622; listed at the Saint-Marcel works in 1627; remained there under the directorship of Marc de Comans (d. 1644) and subsequently of Hippolyte de Comans (who became director in 1651); Henri de Valois (1603-1673) or Adrien de Valois (1607-1692). James Oswald Fairfax AC (Australia, b.1933), 30 Jul 1981-31 Aug 1993, Bowral/New South Wales/Australia, Gift of James Fairfax 1993. Purchased by James Fairfax from Agnew's 1981. Agnew's, London (England, estab. 1817), Dec 1979-30 Jul 1981, London/England, Sold to James Fairfax, 30 July 1981. Agnew's stock no. 43546. H.E.M. Benn (England), post 17 Feb 1940-Dec 1979, Ilkley/Haslemere/England, Purchased by Benn from Buttery 1940, sold to Agnew's, December 1979 Horace Buttery, London (England), 17 Feb 1940, London/England, [dealer] Agnew's, London (England, estab. 1817), 04 Jun 1937-17 Feb 1940, London/England, Purchased at Christie London 4 June 1937, lot no. 90, jointly owned by Agnew's with Buttery and Clark. Agnew's 1/3 share was sold to Buttery on 17 February 1940, when presumably Buttery had a buyer. Francis Pelham-Clinton-Hope, 8th Duke of Newcastle, 15th Earl of Lincoln (England, b.1866, d.1941), 1928-04 Jun 1937, England, by descent, sold Christie London, 4 June 1937, lot no. 90, purchased by Agnew's jointly with Buttery and Clark, £280 Henry Pelham-Clinton, 7th Duke of Newcastle, 14th Earl of Lincoln (England, b.1864, d.1928), pre 1928, England Stamp Brooksbank (England), pre 31 May 1834, England, presumably by descent, Governor of the Bank of England 1741-43, his (and others') sale, Stanley, London 31 May 1834, lot no. 89 'The interview between Constantine and his son Crispus'. Henry Brooksbank (England), 1828, England, by 1828, lent to the 1828 British Institution exhibition Thomas Hammersley (England, b.1747, d.1812), 1792-1812?, London/England, Thomas Hammersley, his and others' (anon.) sale, Christie's London 6-7 March 1801, lot no. 76 'Constantine receiving the globe and cross', bought in, 67gn. Hammersley and others' (anon.) sale, Coxe, London, 11 June 1808, lot no. 9 'An allegorical representation of Constantine receiving under the influence of the cross, authority over the Earth and Ocean', bought in, 95gn. Thomas Moore Slade (England), 1792, England, Purchased by Thomas Moore Slade in association with the 7th Baron Kinnaird (1754-1805), W. Morland and Thomas Hammersley. Philippe-Joseph ('Egalité'), duc d'Orléans (France, b.1747, d.1793), pre 1792, France, by descent, sold to Thomas Moore Slade 1792 Philippe, duc d'Orléans (France, b.1674, d.1723), pre 1723, France French royal tapestry works of Saint-Marcel (France), post 1622, France, With the rest of the set: painted for the French royal tapestry works of Saint-Marcel, 1622; listed at the Saint-Marcel works in 1627; remained there under the directorship of Marc de Comans (d. 1644) and subsequently of Hippolyte de Comans (who became director in 1651); Henri de Valois (1603-1673) or Adrien de Valois (1607-1692). |
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| Vnitřní znaky |
Not signed. Not dated. |
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| Poznámky | More info at museum site | |||||||||||||||||||||||||||
| Reference | ||||||||||||||||||||||||||||
| Zdroj/Fotograf | ggEwfH0gsv0ASQ at Google Cultural Institute maximum zoom level | |||||||||||||||||||||||||||
Licence
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Historie souboru
Kliknutím na datum a čas se zobrazí tehdejší verze souboru.
| Datum a čas | Náhled | Rozměry | Uživatel | Komentář | |
|---|---|---|---|---|---|
| současná | 28. 10. 2015, 17:20 | | 2 209 × 2 857 (2 MB) | Never covered | load a version without fram. It looks a nineteenth-century frame rather pointless, it just makes it more difficult to view on the screen the Rubens sketch |
| 17. 10. 2012, 23:24 |  | 4 430 × 5 049 (6,13 MB) | DcoetzeeBot | =={{int:filedesc}}== {{Google Art Project |commons_artist={{Creator:Peter Paul Rubens}} |commons_title= |commons_description= |commons_date= |commons_medium= |commons_dimensions= |commons_institution= |commons_location= |commons_references= |commons_ob... |
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