Artist's monogram CS in centre (surrounded by lettering Ein singespiel).
Poznámky
This work is the title page of Charlotte Salomon's principal work Life? or Theatre?. For the Jewish Historical Museum interactive page use this link.
Commentaries:
Griselda Pollock notes a heart that look like a strawberry above the title, which incorrectly spells the word singspiel. The word theater likewises looks as if it began as a misspelling. She notes that Marcia Pointon has suggested the various reworking of the artist's monogram CS that appears throughout the work are an ironic refraction of the swastika symbol (Pollock, pp. 68-9, n.21).
Judith Belinfante notes that technical analysis shows that Salomon only used three pigments (i.e. artist's colours) along with white in the work (ibid pp. 31-2).
Reference
Paul Tillich and Emil Strauss, Charlotte: A Diary in Pictures, 1963, New York : Harcourt, Brace & World LCCN 63014210.
(ed.) Judith Herzberg, Charlotte Salomon: Life or Theater?. The Viking Press, New York, 1981. ISBN0-670-21283-0.
Mary Lowenthal Felstiner, To Paint Her Life. Harper Collins, 1994. ISBN0-06-017105-7.
Michael P. Steinberg (Editor), Monica Bohm-Duchen (Editor), Reading Charlotte Salomon, Cornell University Press, 2005. ISBN0-8014-3971-X, LCCN 63014210.
Christine Fischer-Defoy and Judith C. E. Belinfante, Biography 1917-194, in Charlotte Salomon: Life? or Theatre?. Royal Academy of Arts, London, 1998, ISBN0-900946-66-0 (pp. 15-25).
Griselda Pollock, Life-Mapping in (ed.) Griselda Pollock, Conceptual Odysseys: Passages to Cultural Analysis, I.B. Tauris & Co Ltd, London, 2007, ISBN978-1-84511-522-7 (pp. 63-88)
The bulk of Charlotte Salomon's work was published for the purposes of US law when her estate gifted her work to the Charlotte Salomon Foundation at the Joods Historisch Museum in 1971. If follows that the bulk of her work only enters the Public Domain in the US 95 years later at the end of 2066. In addition an earlier tranche of some 80 gouaches published in 1963 both in the US and abroad entered the Public Domain in the US in 1992 because their copyright was not renewed. However these gouaches may have had their copyright restored under the terms of the Uruguay Round Agreements Act (URAA) depending on whether their original publication in the US coincided or not with their publication abroad. It is not Commons policy to host URAA restored works.
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